Two Pictures of Albert

1. Rainbow Towels

Here is Albert on the beach – black socks and yellow Crocs, two different rainbow towels wrapped around like blankets, one in orange and green and yellow stripes, the other in coalescing teardrops – blues, reds, and yellows. His hands folded over each other on his lap evoke a grandmother vibe, as does his gentle, direct smile, his hazel eyes more than adequately protected by sunglasses and a wide-brimmed hat on this cloudy, cool day on the beach. What little skin he shows is Egyptian, though it’s his Egyptian blood that he brags is responsible for why he is always cold.

But what is responsible for how little he cares about what people will think? Today he’s wrapped in rainbow towels. Tonight he may never take off his coat at the restaurant. Tomorrow morning, in late July in Delaware, he may be wearing sheepskin gloves en route to the outlet malls.

Albert met me the Sunday before his moving truck arrived, so when we were dating, he was also looking for a church to join. We met at the Town Common near the Second Congregational Church, which had attracted him with its rainbow flag. There he was in an outfit I have secretly dubbed Fall Splendor—a two-piece with a quilt design in oversized autumn-colored patches.

I did not know him well enough at that point to pressure him to assimilate. I could only attempt to control my editorializing eyebrows and go into church with him as though no one were wearing anything unusual. The churchgoers did not bat an eye. They just seemed grateful to have a mixed-race gay couple in the congregation. Fall Splendor may actually have added to our cachet. Nevertheless, eventually I felt compelled to create a rule that has kept Fall Splendor consigned to Albert’s bureau: no pants with elastic waistbands in public.

2. The Pullover

Here is another picture of Albert at the edge of a boat with the ocean behind him. He is wearing the pullover we bought at Providence Pride.

It was our first Pride together. The day was warm enough, but the evening temperature plummeted, and both European and Egyptian bloodstreams were freezing. We ducked into a store seeking desperate-tourist layers—slim pickings as the other freezing tourists had gotten there first. The only sweatshirts left were matching Guatemalan pullovers in puke green with purple accents. We bought two. I was self-conscious the rest of the night about the matchy-matchy ugliness of it all. Albert thought the colors were great and thought the matchiness was a step for both of us toward deeper intimacy.

That was the first and only time I wore that pullover.

I took this photo of Albert on a discount Carnival Cruise ship that stole its decor from a 1980s music video. We had been planning to book a gay cruise that we found on the web, but we couldn’t get answers about why the announced dates didn’t align with the actual calendar.

Somehow, we ended up on this boat with its heteronormative dating games, its “Friends of Dorothy” LGBT socials, and its soft-serve machines with so many swarming children it felt like a reality TV competition. Afterwards Albert remembered it fondly, as he remembers everything, no matter how much we hated it at the time.

I eventually asked if I could give my pullover away. His feelings were not hurt; he was simply perplexed as to why I would give away perfectly good, extremely warm clothing under any circumstances. He lets clothing accumulate holes until someone, now his husband, finally insists it’s time for Goodwill, if Goodwill will take it.

Recently Albert started wearing his vomit pullover every day. I made subtle efforts to reintroduce his heavy-duty navy blue hooded sweatshirt into his rotation – the one that feels like a weighted blanket. The designers would probably be surprised to learn an educational consultant was wearing their jacket and not just snow shovelers and freezer warehouse guys. But my efforts would last for a day or so, and he would put his vomit pullover back on.

It took an episode of Married at First Sight to stop the madness. A man was asserting his right to tell the wife he met at the altar ten days ago what she could or could not do with her hair.

Of course, I joined Albert in denouncing such horrible behavior.

And then, with a cunning use of I-statements and self-deprecating jokes, I let him know how much I hated the pullover and pleaded with him to stop wearing it every day.

And so, out of kindness, he hid the pullover away, and now the only place I get to see it is in this picture from our horrible cruise.

Urocyon Cinereoargenteus

The fox lopes away across the bronze and crackled grass, a red, white, and grey wild thing, undeniably untamed. I stand, dressed in my hurriedly thrown-on winter clothing, scarf askew and heels halfway into too-big boots. I stand and watch it saunter briskly into the dusk-dimmed and dull November horizon, until it disappears into the reeds next to the crumbling stone wall lined with regal elms and baroque maples.

We were rival partners in a dance that had gone on for weeks, circling each other over the hen coop. The rooster had fallen prey to an owl earlier in the summer, and the fox, aware of the looming snow, had seen an opportunity, interrupting many mundane moments over the autumn in its attempts to find a way into the flock.

It was in one of these moments of panicked squawkings that I had rushed outside, hastily turning off the caramelizing onions, attempting to intervene. Moments later I found myself standing outside the pen, my hasty counter-attack too little, too late. Tears coursed down my cheek, pattering onto the frozen ground, as I stared at the grisly art piece of feathers and sinew, bones and blood, tangled amidst the black and white plastic rope fencing which was stretched and sagging after too many winters of New England snowfall. It was impossible to tell if she, if the creature that was now the carcass, had been caught up in the netting before or after the fox came – I prayed that it was the latter, pushing away the horrific ramifications of the fact that I had not seen this specific hen, one with a name, since the day before.

I prefer to bury things, believing that every creature deserves the comforting weight of the cold, fragrant earth. That way I can tuck them respectfully into the ground and pretend that flesh gives way elegantly to bone, instantly and poetically, pretend away the worms and decay, the slow and unavoidable rot that leads eventually to the picturesque macabre of smooth white. But as I stand in front of the pen I am painfully aware of the month, of the insurmountable hardness of the frozen November ground, and of the true tangle of flesh and fence that I stand confronted with. And so, I spare one look at the tree line, force myself to look once more at the striking mess beneath the briars, and tramp back to the kitchen, my ragged breath the only discordant note amidst the crunching snow and whistling wind. I go about fixing dinner, hoping that the fox will return for its own meal, hoping that it will at least give the tragically mundane occurrence a greater purpose.

It comes back a week later. With no meddlesome and pampered human to interfere with purely animal business, its plans have gone without a hitch. All that remains is a widely strewn array of feathers and some sumptuous and delicate drops of blood upon the snow – not smeared or splattered, but tastefully dotted rubies, sunken beneath the crisp white surface, as red as the moment they spilled, frozen on contact with the soft carpet of ice crystals. There are two lines of little canine footprints, daintily and expertly leading down and up the hill, the incline dotted with a repetitive feather or two along with their accompanying sunken jewels of blood.

I follow them up, wading through the high snow, each step bringing my knees nearly to my chest. I’m hot and perspiring despite the frigid air, not yet warmed even pitifully by the wan winter sun in an anemic blue sky. I zigzag as quickly as I can up the hill, balancing haste and focus, the garish trail hard to follow.

I pant, making my way up amidst the cold and silent trees, knowing it to be a selfish and pointless errand; there is no way the hen is still alive. This is not a rescue mission; there are no cutaways from my painfully inadequate ascent to the struggling hen, holding out against the practiced predator, of me racing against time so that I may break out from the tree line and release her from capture. There is not an audience waiting with bated breath for the outcome of this story; no, not on this merciless winter morning. The hen is dead, neck grasped firmly between gleaming and gothically sharp teeth. And yet I continue – telling myself that I am doing so for closure; really just hoping to see this beautiful creature that can destroy so simply, this creature so remote from our tangled human world, perfectly refined by millennia of existence.

The trail peters out at the edge of the top field in a circled track of deliberate activity. Beneath the pecker poles, overshadowed by the tree line, right at the edge of that definite and yet un-markable point where trees become a forest, is the first sign of animalistic rending—no longer the elegant ruby-red droplets, but a great stain of blood—enough to tint the frigid air with the smell of iron mixed with the lurid yellow proof that the fox tore into the crop. But surrounding the gruesome snow angel of footprints there is nothing, no more blood, elegant or otherwise, and no more discernible tracks amidst the uneven and craterous snow around and under the tree limbs and canopy and stones.

I circle the same area multiple times, feeling that I’ve gone too far to not see the investigation through, when I finally spot it. A mound of snow between two medium-sized maples growing up against a once firmly stacked stone wall that has now crumbled and slid into aesthetic disorder. It is about the size of my torso, patted lovingly into shape by dozens and dozens of little canine footprints, only the very edge of the left side stained a pale pink. Not a single feather shows through the refrigerating snow, so diligently has the fox done its work.

I stand there, amidst the discordant rays of strengthening sunlight, sweaty and yet cold in a ragtag medley of proper and improper winter clothing. I must have at least a quart of snow in each of my hastily shoved-on boots, the calf of my sweatpants soaked and icy, my overly large socks bunched painfully at my ankle. None of this sways my awe: this clever, beautiful, brutal, violent, expert little fox has buried the remains of the chicken in the snow, ingeniously preserving its dinner away from its den.

My cheeks heat with chagrin—what right do I have to be here? To have risked interrupting the fox in its work feels like an inexcusable trespass upon a sublime sanctity possessed only by that which is truly wild. A trespass upon a ritual, pure and purposeful. The fox’s cruel and yet poetic act exists freely outside of our ever-changing and unjust human definitions of morality. There is nothing, not a single shred of something macabre or perverse in this murder – it is an innocent exchange. I think for one moment I fully understood the truth of matter being neither destroyed nor created but simply traded between vessels in an endless and brutal dance. It’s a savage beauty that can exist only in these woods between two true animals.

And so I turn, reluctant to leave this clarity, knowing that it will fade, and I will be sad and anxious and have to figure out how to protect the rest of the hens and make breakfast and change into dry clothes and tell this story which will be ever diminished by the very act of telling. But I spare a glance back towards the tree line as I reach the top of the incline I must half stumble, half slide down, a glance back toward the fox’s world, a world of sharp cold and teeth and bone and survival, a world where the concept of freedom does not need to exist because it is inherent. A world free of our preconceptions of “chaos” and “order,” free from the burden of categories and labels and morals and biases that entrap humanity. Where true chaos creates true free will—life in the moment as our hijacked animal minds, trammeled by predictive reasoning and desperate needs for constraints and systems will ever know. And so, I spare myself a moment to long for that world, before I have to return to mine.

I never saw the fox again. When the next hen passed peacefully in her sleep of old age I placed her in those hallowed woods, an unsullied offering. An entreaty.

A History of Picking Stone

Joseph Anderson came to the farm
late in life. A teacher,
retired, but not worn out,
going blind, but working
for his keep.

Each day when weather
and his knees allowed,
he hobbled in hay fields
and sheep pasture,

piling circles upon circles
of stones around
immovable
mother ledge.

It was not what he learned
at Williams College,
for his hands
to grow calloused
and brown.

It is the mark in the woods
where a man has been,
his scholarship
in earth and stone.

Watching Kingfisher

How lucky I would be
if I could stand upon
a branch and soak in
the blue and greens
of a spot of water
instead of placed
around a table
with people who don’t
take time to breathe or
understand each other?

VA Waiting Room

It is hard to walk into the VA.
President’s face, larger than life and the
VA secretaries smiling blandly.
The American flag proudly centered.
A wall full of pamphlets from every group.

Smiling joyful face at the desk, a new
one, again, (one face lasted a year). “Last
four please,” I rattled off my social as
she keyed it in. “Oh yes sir, your appoint-
ment is in twenty minutes.” So I sit.

The older veterans all stare and smile.
Avoiding eye contact, so as not to
try to talk lightly about Iraq or hear
“thank you for your service”, again. Like we
ever want to be thanked for what we did.

The things we did over there break us, each
deal with it in our own way. Being
thanked brings the wars rushing back. Humpty
Dumpty can’t be put back together again.
But I can keep faith and tell the story.

Amongst this, as Odysseus faced
trials coming home, so must we anew.
Some never finish the trip, it’s too far.
So I continue on, for them, and
take up this ink pen to blind the cyclops.

Green River Love Song

Naked in a canoe, you emerge
blossoming like tawdry April
in a town that’s turned its back
to the river. The span is iron
trestle, riveted to carry freight,
all green and rust. Magnolia, dogwood
strike out improbably against the wet
and dark forgotten churning melt.
Your skin, winter fair, neat with rain
your hands rooted on the paddle
your breasts are little foxes
among the bramble. You
are wearing a Teutonic helmet,
straight out of opera. The river
braids, your hair flows. The prow
of your craft tips up in the current
as you feather the water, left and right.
What is it I see, with eyes of mist,
eyes of rippling crosscurrents? Is it
you? Look at the river, coursing below,
the water tumbles, your fierce command.
And flowers bloom on the dirty earth.

Derailed

In old age, parents flutter like moths
at the edge of sight. You know they’ll be gone
in the morning. They leave a smatter
of wing-colored dust, tiny scales that don’t wash off.
Are they waving a white flag? Am I? I remember
once, I asked my father

why I had brown eyes when theirs were green
and blue. He said it had to do with something
about the Spanish Armada and I shouldn’t worry.
He taught me to change the oil in the car, check
the tires, loosen a nail or frozen screw with pliers
and a quick spritz of WD-40.

A train ran behind the house on the farm
they bought in Virginia. You’d wake in the night
to the heavy hopper cars rumbling down
from the coal mines in West Virginia. Next day,
they’d clank and rattle back empty,
as if to break loose, to fly right off the track.

Sleep

At night when she can’t fall asleep,
she plays a word game she learned
from an anxious insomniac friend.

Think of a theme. Think of words
linked to that theme. Say them
to yourself, in alphabetical order.

Fruits and vegetables are effective.
A, apple. B, banana. C, cherry.
D, dill. E, eggplant. And so on.

Animals and birds work well too
until arriving at Q and X. Luckily
she remembers quail and quetzal
and recently she learned of Xerus,
a small, burrowing rodent in Africa.

Geography doesn’t work for her.
She can name continents, countries,
rivers, mountain ranges, deserts,
even obscure land formations.

She’s good at that. But the images
won’t let her go: Gaza, Sudan, Ukraine,
Washington, D.C. She’s up all night.